Max Lorenz, Orchester Der Staatsoper Berlin's 'Dir töne Lob (Tannhäuser)' came out on August 22, 2006. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 24 out of 33. The popularity of Dir töne Lob (Tannhäuser) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dir töne Lob (Tannhäuser) by Max Lorenz, Orchester Der Staatsoper Berlin to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 49 BPM | ||
Polovtsian Dances from Prince Igor: IV. Allegro | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 177 BPM | ||
Prologue | Philip Glass, Pacific Chorale, I-Chin Feinblatt, John Alexander, Carl St. Clair, Pacific Symphony Orchestra | G Minor | 2 | 6A | 138 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Symphony No. 5 In C Minor, Op. 67, Andante Con Moto (excerpt) | The Royal Festival Orchestra, William Bowles | B♭ Major | 1 | 6B | 118 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Ehrt eure deutschen Meister | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
Pizzicato-Polka | Johann Strauss II, Josef Strauss, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 0 | 8B | 94 BPM | ||
Requiem in E-Flat Minor: VII. Domine Jesu Christe | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl | E♭ Major | 0 | 5B | 167 BPM |
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