"Pelléas et Mélisande: VII. La chasse commence" by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov was released on February 11, 2022. The duration of Pelléas et Mélisande: VII. La chasse commence is about 3 minutes long, at 3:06. Based on our data, "Pelléas et Mélisande: VII. La chasse commence" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pelléas et Mélisande (Suite for String Orchestra)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Pelléas et Mélisande: VII. La chasse commence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande: VII. La chasse commence by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siren Sounds Waltz: III. Waltz No. 2 | Alma Deutscher | C Major | 2 | 8B | 90 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Chanson triste | Vasily Kalinnikov, Metamorphose String Orchestra, Pavel Lyubomudrov | G Minor | 3 | 6A | 144 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
L'Estate (Summer) Op. 8 No. 2 in G minor: II. Adagio - Presto | Antonio Vivaldi, Luka Sulic, Luigi Piovano, Archi dell'Accademia di Santa Cecilia | G Minor | 0 | 6A | 88 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Symphony No. 5 in C Minor, Op. 67: Allegro con brio | Ludwig van Beethoven, NDR-Sinfonieorchester, Günter Wand | B Major | 0 | 1B | 168 BPM |
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