- BPM
- 109
- Key
- D Minor
- Camelot
- 7A
On the Town: Act I: Dance: Times Square - Leonard Bernstein, On the Town Orchestra (1960) Information
- Acousticness
- 65%
- Danceability
- 40%
- Energy
- 53%
- Instrumentalness
- 36%
- Liveness
- 8%
- Loudness
- 84%
- Speechiness
- 7%
- Valence
- 42%
- Popularity
- 2%
- Loudness
- -9.593 dB
Summary
Leonard Bernstein, On the Town Orchestra (1960) made "On the Town: Act I: Dance: Times Square" available on January 19, 2018. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 13 in Bernstein: On the Town (Remastered) by Leonard Bernstein, On the Town Orchestra (1960). Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, On the Town: Act I: Dance: Times Square is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
On the Town: Act I: Dance: Times Square BPM
The tempo marking of On the Town: Act I: Dance: Times Square by Leonard Bernstein, On the Town Orchestra (1960) is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
On the Town: Act I: Dance: Times Square Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): Nervoso - Allegro - Andante | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 86 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | |
 | The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | |
 | Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | |
 | Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM |
- ISRC
- USSM11702364
- Label
- L-M Records/RCA Records
Section: 0.6247110366821289
End: 0.6290445327758789