Alpensymphonie, Op.64: Auf dem Gletscher - Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli Information

Acousticness: 64%
Danceability: 17%
Energy: 60%
Instrumentalness: 80%
Liveness: 23%
Loudness: 78%
Speechiness: 4%
Valence: 11%
Popularity: 10%
Loudness: -13.147 dB

Summary

"Alpensymphonie, Op.64: Auf dem Gletscher" by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 1994. With Alpensymphonie, Op.64: Auf dem Gletscher being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "R. Strauss: Eine Alpensinfonie op.64". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Alpensymphonie, Op.64: Auf dem Gletscher's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Alpensymphonie, Op.64: Auf dem Gletscher BPM

With Alpensymphonie, Op.64: Auf dem Gletscher by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Alpensymphonie, Op.64: Auf dem Gletscher Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM
Don Quixote, Op. 35, TrV 184: Variation III. Gespräche zwischen Ritter und Knappe	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	C Major	0	8B	134 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	E Minor	0	9A	136 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM
Habanera	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	0	11B	128 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	155 BPM
Prélude à l'après-midi d'un faune, L. 86	Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	0	1A	84 BPM
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom	Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White	C Major	2	8B	138 BPM
Polovtsian Dances, from: Prince Igor: Moderato alla breve	Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan	B Minor	3	10A	184 BPM

ISRC: DEF059300014
Label: L-M Records/RCA Records

Section: 0.8410661220550537

End: 0.8447794914245605