- BPM
- 99
- Key
- F Major
- Camelot
- 7B
Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella) - Lisa della Casa, Anneliese Rothenberger, Wiener Philharmoniker, Joseph Keilberth Information
- Acousticness
- 91%
- Danceability
- 20%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 74%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -19.07 dB
Summary
"Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella)" by Lisa della Casa, Anneliese Rothenberger, Wiener Philharmoniker, Joseph Keilberth was released on June 1, 2016. With this song being about 5 minutes long, at 5:05, "Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella)" by Lisa della Casa, Anneliese Rothenberger, Wiener Philharmoniker, Joseph Keilberth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 248 in the song's album "Richard Strauss: Les grands opéras - La discothèque idéale de Diapason, Vol. 7". In this album, this song's track order is #58. In terms of popularity, Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella) BPM
With Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella) by Lisa della Casa, Anneliese Rothenberger, Wiener Philharmoniker, Joseph Keilberth having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Arabella, Op. 79, TrV 263, Acte I: "Aber der Richtige" (Zdenka, Arabella) Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K. 492, Act II Scene 1: No. 10. Cavatina, "Porgi, amor" (Contessa) | Lisa della Casa, Wiener Philharmoniker, Erich Kleiber | D♭ Major | 1 | 3B | 91 BPM | |
 | La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM | |
 | La Traviata, Act I: Dellínvito trascorsa è già l'ora | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A Major | 2 | 11B | 134 BPM | |
 | Il Pirata, Act II: Cedo al destin orribile | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | |
 | L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | |
 | Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | |
 | Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | |
 | 6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | |
| Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | |
 | Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" | Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7596654891967773
End: 0.7638871669769287