On November 14, 2020, the song "7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace" was released by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda. With 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation V. Si prenda il tempo un poco più vivace by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 3. Rondo (Allegro) | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 97 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM |
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