Jordi Savall, Bakary Sangaré, Ballaké Sissoko, Driss El Maloumi's 'Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud' came out on February 17, 2017. The duration of Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Routes of Slavery". In this album, this song's track order is #1. Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud by Jordi Savall, Bakary Sangaré, Ballaké Sissoko, Driss El Maloumi having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes De La Grenouillere (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 2 | 9B | 99 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
In Nomine A 5 (Anonyme) | Jordi Savall | D Minor | 0 | 7A | 87 BPM | ||
Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence" | Marin Marais, Jordi Savall, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | G Minor | 1 | 6A | 32 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: VII. Gigue | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 100 BPM | ||
Les plaisirs champêtres: IV. Chaconne | Jean-Féry Rebel, Jordi Savall | D♭ Minor | 2 | 12A | 123 BPM | ||
Concert pour quatre parties de violes, H. 545: II. Allemande | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Deuxième suite, Airs pour les eoliens et les eoliennes: II. Menuet | Marin Marais, Jordi Savall, Le Concert Des Nations | G Minor | 0 | 6A | 70 BPM |
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