"Variations: Waltz" by John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin was released on May 11, 2003. With Variations: Waltz being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer's "Harbison: Four Songs of Solitude / Variations / Twilight Music" album is number 13 out of 24. Variations: Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations: Waltz by John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Trio, Op. 40: IV. Finale | Johannes Brahms, Martin Owen, Francesca Dego, Alessandro Taverna | E Major | 1 | 12B | 131 BPM | ||
Dutilleux: Oboe Sonata: II. Scherzo (Vif) | Henri Dutilleux, François Leleux, Emmanuel Strosser | A Major | 2 | 11B | 152 BPM | ||
Suíte Brasileira: Valsa de Esquina | André Mehmari, Anderson César Alves | A Major | 2 | 11B | 160 BPM | ||
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM |
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