"Zigeunerweisen, Op.20" by Pablo de Sarasate, Josef Sakonov, London Festival Orchestra was released on January 1, 1972. With this song being about 5 minutes long, at 5:28, "Zigeunerweisen, Op.20" by Pablo de Sarasate, Josef Sakonov, London Festival Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Violinissimo: Great Violin Encores by Erich Gruenberg, Josef Sakonov. The song's track number on the album is #7 out of 23 tracks. Based on our statistics, Zigeunerweisen, Op.20's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Zigeunerweisen, Op.20 by Pablo de Sarasate, Josef Sakonov, London Festival Orchestra has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Zigeunerweisen, Op.20 being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Priere et berceuse, Op. 17 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B♭ Major | 1 | 6B | 134 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM |
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