- BPM
- 82
- Key
- E Minor
- Camelot
- 9A
Verdi: Otello: Atto Primo: Già nella notte densa - Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia Information
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 2%
- Instrumentalness
- 14%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -23.308 dB
Summary
"Verdi: Otello: Atto Primo: Già nella notte densa" by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on June 12, 2020. Verdi: Otello: Atto Primo: Già nella notte densa appears to be safe for all ages as it is not explicit. This song is part of Verdi: Otello by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #9 out of 48 tracks. Based on our data, United States was the country where this track was produced or recorded. Verdi: Otello: Atto Primo: Già nella notte densa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Verdi: Otello: Atto Primo: Già nella notte densa BPM
Since Verdi: Otello: Atto Primo: Già nella notte densa by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Otello: Atto Primo: Già nella notte densa being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Verdi: Otello: Atto Primo: Già nella notte densa Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wandrers Nachtlied II, D. 768 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | B♭ Major | 0 | 6B | 77 BPM | |
 | Puccini: Suor Angelica: "Nel silenzio di quei raccoglimenti" (La zia principessa) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | D♭ Minor | 0 | 12A | 115 BPM | |
 | Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | |
 | Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | |
 | Giunse alfin il momento - Deh vieni, non tardar (Le Nozze di Figaro: Susanna, 3.Akt) | Wolfgang Amadeus Mozart, Lucia Popp, Munich Radio Orchestra, Leonard Slatkin, Muenchner Rundfunkorchester | F Major | 4 | 7B | 132 BPM | |
 | Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | |
 | Nella fantasia (From "The Mission") | Jonas Kaufmann | B♭ Major | 3 | 6B | 90 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 1: "Si, fino all’ore estreme" | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | |
| Puccini: Il tabarro: "O Michele? Michele?" (Giorgetta, Michele, Luigi, Il Tinca, Il Talpa, Chorus) | Giacomo Puccini, Carlo Guelfi/Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | G Minor | 2 | 6A | 112 BPM |
- ISRC
- USSM11914472
- Label
- L-M Records/RCA Records
Section: 0.6548051834106445
End: 0.659747838973999