George Gershwin, Irving Berlin, Orlando Pops Orchestra, Andrew Lane made "I Got Rhythm / Fascinating Rhythm" available on August 2, 2019. The duration of I Got Rhythm / Fascinating Rhythm is about 3 minutes long, at 3:12. Based on our data, "I Got Rhythm / Fascinating Rhythm" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 30 in Classical Pops Concert: American Classics! by Irving Berlin, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, I Got Rhythm / Fascinating Rhythm's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of I Got Rhythm / Fascinating Rhythm by George Gershwin, Irving Berlin, Orlando Pops Orchestra, Andrew Lane is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Three Preludes: II. Andante con moto e poco rubato in C Sharp Minor | George Gershwin, Frank Braley | F♯ Major | 0 | 2B | 70 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Prelude in G-Flat Major, La Fille Aux Cheveux De Lin | Rik | G Minor | 2 | 6A | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
Cuban Overture | New Zealand Symphony Orchestra, George Gershwin | E Minor | 2 | 9A | 94 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM | ||
Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM |
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