Rik made "Prelude in G-Flat Major, La Fille Aux Cheveux De Lin" available on March 1, 2016. The duration of Prelude in G-Flat Major, La Fille Aux Cheveux De Lin is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Prelude in G-Flat Major, La Fille Aux Cheveux De Lin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Romantic Period". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Prelude in G-Flat Major, La Fille Aux Cheveux De Lin is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Prelude in G-Flat Major, La Fille Aux Cheveux De Lin by Rik having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Étude No. 12 in C Minor, Op. 10 | Rik | C Minor | 2 | 5A | 70 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | B♭ Major | 0 | 6B | 81 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
No. 7, Träumerei | Robert Schumann, Van Cliburn | F Major | 0 | 7B | 101 BPM | ||
Siren Sounds Waltz: II. Waltz No. 1 | Alma Deutscher | A Major | 0 | 11B | 84 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Impromptu In G Flat D899 No. 3: Andante | Jean-Yves Thibaudet | F♯ Major | 0 | 2B | 66 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |
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