Le Concert Des Nations, Jordi Savall made "Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin)" available on January 1, 2004. The duration of Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 25 in François Couperin: Les Concerts Royaux, 1722 by Le Concert Des Nations, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin) by Le Concert Des Nations, Jordi Savall is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Charpentier: Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau | Marc-Antoine Charpentier, William Christie | C Major | 4 | 8B | 75 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e Continuo (Re Minore, RV 565): I. Allegro, Adagio e spiccato | Antonio Vivaldi, Jordi Savall, Luca Guglielmi, Manfredo Kraemer, Pablo Valetti, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
All'imperio d'Amore: 1. Toccata "La Renuccini" | Girolamo Fantini, Ensemble Pygmalion, Raphael Pichon | D Major | 4 | 10B | 137 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM |
Section: 0.8039147853851318
End: 0.8086738586425781