Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Royston Nash's 'The Mikado: On a tree by a river a little tom tit' came out on January 1, 1973. The duration of The Mikado: On a tree by a river a little tom tit is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Mikado: On a tree by a river a little tom tit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 13 out of 37. The Mikado: On a tree by a river a little tom tit is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Mikado: On a tree by a river a little tom tit by Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minkus: Don Quixote, Act 3: II. Adage | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 57 BPM | ||
H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Almost There - From "Princess and the Frog" | Royal Philharmonic Orchestra | G Major | 3 | 9B | 79 BPM | ||
Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | ||
La Isla Bonita | Royal Philharmonic Orchestra | D♭ Major | 2 | 3B | 113 BPM | ||
Camelot: I Wonder What the King Is Doing Tonight | Frederick Loewe, Richard Burton, Franz Allers | E♭ Major | 3 | 5B | 133 BPM | ||
A Love So Beautiful - with The Royal Philharmonic Orchestra | Roy Orbison | C Major | 4 | 8B | 127 BPM | ||
Gypsy: Overture | Jule Styne, Gypsy Orchestra, Milton Rosenstock | B♭ Major | 5 | 6B | 168 BPM | ||
Onward, Christian Soldiers | Arthur Sullivan, Mormon Tabernacle Choir, Richard P. Condie, Alexander Schreiner, The Philadelphia Brass Ensemble & Percussion | F Major | 3 | 7B | 106 BPM |
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