Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit made "Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante" available on January 1, 1981. Since Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante by Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Romanze in F Major, TrV 118: Romance for Cello and Orchestra | Richard Strauss, Alexander Rudin, RTÉ National Symphony Orchestra, Gerhard Markson | C Major | 1 | 8B | 91 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Piano Concerto No. 2 in C minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Wibi Soerjadi, London Philharmonic Orchestra, Miguel Gomez-Martinez | C Minor | 1 | 5A | 56 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo (Molto vivace) | Frédéric Chopin, Vladimir Ashkenazy | E Major | 0 | 12B | 77 BPM | ||
Symphony No. 6 in C Major, D. 589: I. Adagio. Allegro | Franz Schubert, Stockholm Sinfonietta, Neeme Järvi | C Major | 0 | 8B | 125 BPM | ||
Symphony in A Major: II. Larghetto | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | B Minor | 2 | 10A | 138 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM |
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