Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot made "Symphony in A Major: II. Larghetto" available on April 7, 2015. Since Symphony in A Major: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Saint-Saëns: Symphonies, Vol. 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Symphony in A Major: II. Larghetto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony in A Major: II. Larghetto by Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | ||
Serenade für Streicher, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 77 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
String Quartet No. 1 in A Major: IV. Allegro risoluto | Alexander Borodin, Budapest Haydn Quartet | C Major | 1 | 8B | 111 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | E Major | 0 | 12B | 83 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 81 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: II. Scherzo (Sehr mässig) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 76 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM |
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