"Serenade für Streicher, Op. 6: III. Adagio" by Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung was released on January 1, 2005. Since Serenade für Streicher, Op. 6: III. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Suk: Serenade in E-Flat Major / Dvorak: Serenade for Strings in E Major". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Serenade für Streicher, Op. 6: III. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade für Streicher, Op. 6: III. Adagio by Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 0 | 6A | 110 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Serenade for Strings in E Major, Op. 22: IV. Larghetto | Antonín Dvořák, Josef Suk, Suk Chamber Orchestra | A Major | 0 | 11B | 81 BPM | ||
Andante & Variations in D Major, WoO 44b (Arr. M. Mumulides for Clarinet & String Orchestra) | Ludwig van Beethoven, Miltos Mumulides, St. Petersburg Academic Philharmonic Orchestra, Volker Hartung | E♭ Major | 2 | 5B | 144 BPM | ||
Kaiser-Walzer, Op. 437 | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | C Major | 1 | 8B | 103 BPM | ||
From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio | Edvard Grieg, Moscow Soloists, Yuri Bashmet | C Major | 0 | 8B | 109 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Stabat Mater, P. 77: VI. Vidit suum dulcem natum | Giovanni Battista Pergolesi, Monika Brockmann, Cologne New Philharmonic Orchestra, Volker Hartung | F Minor | 1 | 4A | 95 BPM | ||
Concerto for 2 Cellos in G Minor, RV 531: I. Allegro | Antonio Vivaldi, Pavel Ulanicki, Cathy Stewart, Cologne New Philharmonic Chamber Orchestra, Volker Hartung | G Minor | 1 | 6A | 107 BPM |
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