"String Quartet No. 1, The Kreutzer Sonata: IV. Con moto – Adagio – Più mosso" by Leoš Janáček, Norwegian Chamber Orchestra, Terje Tonnesen was released on March 20, 2017. String Quartet No. 1, The Kreutzer Sonata: IV. Con moto – Adagio – Più mosso is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Norwegian Chamber Orchestra, Terje Tonnesen's "Leoš Janáček: The Kreutzer Sonata & Intimate Letters" album is number 4 out of 10. On top of that, Norway appears to be the country where this track was created. String Quartet No. 1, The Kreutzer Sonata: IV. Con moto – Adagio – Più mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 1, The Kreutzer Sonata: IV. Con moto – Adagio – Più mosso by Leoš Janáček, Norwegian Chamber Orchestra, Terje Tonnesen to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Katya Kabanova, JW I/8, Act III Scene 1: "Celého mne to pokropilo" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Pavlo Hunka, Ladislav Elgr | A♭ Minor | 1 | 1A | 130 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Serenade for Strings in E Major, B.52: IV. Larghetto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 72 BPM | ||
Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | ||
Meditace na staročeský 'Svatý Václave', Op. 35a | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Minor | 1 | 8A | 95 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM |
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