"Kenilworth: II. Serenade on the lake" by Arthur Bliss, Black Dyke Band, Major Peter Parkes had its release date on April 1, 1992. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Kenilworth: II. Serenade on the lake's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Black Dyke Band, Derek Broadbent, Major Peter Parkes's "Life Divine" album is number 7 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Kenilworth: II. Serenade on the lake is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kenilworth: II. Serenade on the lake by Arthur Bliss, Black Dyke Band, Major Peter Parkes to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
The Beatitudes, F. 28: IV. I got me flowers to strew thy way | Arthur Bliss, Andrew Davis, BBC Symphony Orchestra, Emily Birsan, Ben Johnson, BBC Symphony Chorus | A Major | 0 | 11B | 170 BPM | ||
Mary of Magdala: Look there, look there (Chorus) | Arthur Bliss, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus, Neil Ferris | A Major | 1 | 11B | 108 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, London Festival Orchestra, Ross Pople | G Major | 0 | 9B | 82 BPM | ||
La Bohème, SC 67, Act III: Speravo di trovarvi qui | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 1 | 7B | 89 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Eventide: II. Tema | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM |