Ruggero Leoncavallo, Julie Triquet, François Pilon, Annie Gadbois, Marc Hervieux, Alain Desgagné, Marie-Andrée Benny, Louise-Andrée Baril, Yannick Chenevert made "Mattinata (Arr. by Louise-Andrée Baril)" available on September 1, 2011. The duration of Mattinata (Arr. by Louise-Andrée Baril) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mattinata (Arr. by Louise-Andrée Baril)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in A Napoli by Marc Hervieux, Louise-Andrée Baril. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Mattinata (Arr. by Louise-Andrée Baril) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mattinata (Arr. by Louise-Andrée Baril) by Ruggero Leoncavallo, Julie Triquet, François Pilon, Annie Gadbois, Marc Hervieux, Alain Desgagné, Marie-Andrée Benny, Louise-Andrée Baril, Yannick Chenevert is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
Le nozze di Figaro, K. 492: No. 10 Aria: "Non più andrai, farfallone amoroso" | Wolfgang Amadeus Mozart, Zubin Mehta, Orchestra del Maggio Musicale Fiorentino, Michele Pertusi | G Major | 2 | 9B | 133 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM |
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