"Schwanengesang D. 957: No. 12, Am Meer (By the Sea, Arr. Solo Piano by Liszt) - Duo-Art_71449" by Franz Liszt, Franz Schubert, Desider Vecsei, Peter Phillips was released on February 21, 2024. The duration of Schwanengesang D. 957: No. 12, Am Meer (By the Sea, Arr. Solo Piano by Liszt) - Duo-Art_71449 is about 3 minutes long, at 3:27. Based on our data, "Schwanengesang D. 957: No. 12, Am Meer (By the Sea, Arr. Solo Piano by Liszt) - Duo-Art_71449" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Phillips, Suzanne Godenne's "Jeux D'eau. Piano Evocations from the Golden Age" album is number 4 out of 21. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Schwanengesang D. 957: No. 12, Am Meer (By the Sea, Arr. Solo Piano by Liszt) - Duo-Art_71449 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schwanengesang D. 957: No. 12, Am Meer (By the Sea, Arr. Solo Piano by Liszt) - Duo-Art_71449 by Franz Liszt, Franz Schubert, Desider Vecsei, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM |
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