Alban Berg, Academy Chamber Choir of Uppsala, Stefan Parkman made "Så jag målar, donna Bianca" available on May 1, 1997. With Så jag målar, donna Bianca being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Swedish A Cappella, Vol. 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Så jag målar, donna Bianca is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Så jag målar, donna Bianca by Alban Berg, Academy Chamber Choir of Uppsala, Stefan Parkman having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Minor | 1 | 12A | 99 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Laue Sommernacht - Vocal | Alma Mahler, Angelika Kirchschlager | C Minor | 3 | 5A | 133 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | E♭ Major | 2 | 5B | 67 BPM | ||
Shéhérazade: No. 2. La Flûte enchantée | Maurice Ravel, Isabelle Druet, Orchestre National De Lyon, Leonard Slatkin | F♯ Minor | 0 | 11A | 175 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / II. The Seven Ages: Variation 2. Poco più mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 1 | 1A | 78 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM |
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