The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude
Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras
Janácek: The Cunning Little Vixen
3:18 January 1, 1982
BPM
99
Key
D♭ Minor
Camelot
12A

Embed

Share Link

The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude - Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras Information

Acousticness
93%
Danceability
24%
Energy
8%
Instrumentalness
82%
Liveness
37%
Loudness
59%
Speechiness
4%
Valence
15%
Popularity
Loudness
-24.567 dB

Summary

"The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude" by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. The duration of The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude is about 3 minutes long, at 3:18. Based on our data, "The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 1 out of 31. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude BPM

We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86 BPM
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring by Frederick Delius, Vernon Handley, London Philharmonic OrchestraDelius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in SpringFrederick Delius, Vernon Handley, London Philharmonic OrchestraA Minor28A130 BPM
Elegies BV 249: VII. Berceuse by Ferruccio Busoni, Igor LevitElegies BV 249: VII. BerceuseFerruccio Busoni, Igor LevitC Major08B67 BPM
Piano Concerto No. 4 in G Minor: II. Largo by Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro CappabiancaPiano Concerto No. 4 in G Minor: II. LargoGiovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro CappabiancaC Minor15A180 BPM
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante by Sergei Rachmaninoff, Alisa Weilerstein, Inon BarnatanSonata In G Minor For Cello & Piano, Op. 19: 3. AndanteSergei Rachmaninoff, Alisa Weilerstein, Inon BarnatanF Major27B82 BPM
Sonate pour violon et piano: III. Allegretto by Leoš Janáček, Isabelle Faust, Ewa KupiecSonate pour violon et piano: III. AllegrettoLeoš Janáček, Isabelle Faust, Ewa KupiecA♭ Minor11A96 BPM
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento by Ottorino Respighi, Konstantin Scherbakov3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto LentoOttorino Respighi, Konstantin ScherbakovA♭ Minor01A70 BPM
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo by Karol Szymanowski, Krystian Zimerman9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppoKarol Szymanowski, Krystian ZimermanG Minor06A78 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) by Robert Schumann, Benjamin Grosvenor3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach)Robert Schumann, Benjamin GrosvenorB Major71B142 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6951353549957275

End: 0.7001385688781738