"Violin Sonata in D Major Op. 16: I. Nicht zu langsam" by Othmar Schoeck, Renato Wiedemann, Marija Bokor was released on January 26, 2024. Violin Sonata in D Major Op. 16: I. Nicht zu langsam is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Renato Wiedemann: Roots. 20th Century Violin Sonatas from Brazil and Switzerland". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Switzerland. Violin Sonata in D Major Op. 16: I. Nicht zu langsam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonata in D Major Op. 16: I. Nicht zu langsam by Othmar Schoeck, Renato Wiedemann, Marija Bokor having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Trio Sōra | B Major | 1 | 1B | 52 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) | Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
String Quartet No. 2 in F Major, Op. 22: IV. Allegro con moto | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM |
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