Johann Sebastian Bach, Maria Angelica Funes made "Violin Partita No. 1 in B Minor, BWV 1002: II. Double (Arr. for Guitar)" available on August 18, 2017. The duration of Violin Partita No. 1 in B Minor, BWV 1002: II. Double (Arr. for Guitar) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Violin Partita No. 1 in B Minor, BWV 1002: II. Double (Arr. for Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #15. In terms of popularity, Violin Partita No. 1 in B Minor, BWV 1002: II. Double (Arr. for Guitar) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Violin Partita No. 1 in B Minor, BWV 1002: II. Double (Arr. for Guitar) by Johann Sebastian Bach, Maria Angelica Funes having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe, Violin, Strings and Continuo in C Minor, BWV 1060: I. Allegro (Arr. By Asya Fateyeva) | Johann Sebastian Bach, Asya Fateyeva, Erik Schumann, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 96 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM |
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