Petite messe solennelle: Crucifixus - Gioachino Rossini, Lucia Popp, Katia Labèque, Marielle Labèque, David Briggs, Stephen Cleobury Information

Acousticness: 94%
Danceability: 23%
Energy: 30%
Instrumentalness: 21%
Liveness: 9%
Loudness: 73%
Speechiness: 4%
Valence: 12%
Popularity: 1%
Loudness: -15.903 dB

Summary

"Petite messe solennelle: Crucifixus" by Gioachino Rossini, Lucia Popp, Katia Labèque, Marielle Labèque, David Briggs, Stephen Cleobury was released on January 10, 1995. The duration of Petite messe solennelle: Crucifixus is about 3 minutes long, at 3:04. Based on our data, "Petite messe solennelle: Crucifixus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Rossini: Stabat Mater - Petite Messe Solennelle". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Petite messe solennelle: Crucifixus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Petite messe solennelle: Crucifixus BPM

With Petite messe solennelle: Crucifixus by Gioachino Rossini, Lucia Popp, Katia Labèque, Marielle Labèque, David Briggs, Stephen Cleobury having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Petite messe solennelle: Crucifixus Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Il bacio	Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn	G Major	1	9B	173 BPM
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights	Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano	F♯ Major	5	2B	86 BPM
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental	Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra	E Major	4	12B	107 BPM
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro)	Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI	A Major	1	11B	102 BPM
In the Steppes of Central Asia	Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	0	11B	68 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	G Major	2	9B	94 BPM
Variation XVIII: Andante Cantabile	Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra	C Major	4	8B	148 BPM
Malinconia, ninfa gentile	Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato	E Major	2	12B	94 BPM
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent)	Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly	E Major	3	12B	130 BPM
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa!	Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede	F Major	2	7B	79 BPM

ISRC: GBAYC8400882
Label: L-M Records/RCA Records

Section: 0.7628791332244873

End: 0.7669634819030762