Ferenc Farkas, Sarah Christ's 'Danses hongroises du 17ème Siècle: II. Danse Hongroise' came out on October 1, 2021. With Danses hongroises du 17ème Siècle: II. Danse Hongroise being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Un Bal". In this album, this song's track order is #2. Based on our statistics, Danses hongroises du 17ème Siècle: II. Danse Hongroise's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Danses hongroises du 17ème Siècle: II. Danse Hongroise by Ferenc Farkas, Sarah Christ having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Gymnopédie No. 3: Lent et grave (arr. for baroque ensemble) | Erik Satie, Lautten Compagney | A Minor | 0 | 8A | 70 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Abendlied, Op. 85 No. 12 (Arr. Grosvenor) | Robert Schumann, Benjamin Grosvenor | D♭ Major | 0 | 3B | 68 BPM | ||
Milonga | Alberto Ginastera, Xavier De Maistre | F Major | 0 | 7B | 115 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 0 | 9A | 110 BPM | ||
Flow My Tears (Lachrimae) | John Dowland, Attacca Quartet | A Minor | 0 | 8A | 138 BPM | ||
Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | D♭ Minor | 0 | 12A | 107 BPM | ||
Étude de Concert: Au Matin | Marcel Tournier, Cecilia De Maria | F Major | 1 | 7B | 78 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM |
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