"Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl"" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann was released on January 1, 2008. Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle | Richard Strauss, Renaud Capuçon, Jerome Ducros | E♭ Major | 3 | 5B | 100 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Salome, Op. 54 / Scene 2: Laßt den Propheten herauskommen | Richard Strauss, Cheryl Studer, Clemens Bieber, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM |
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