"Hosanna to the Son of David, I" by Orlando Gibbons, Choir of Clare College, Cambridge, Timothy Brown was released on October 16, 1995. The duration of Hosanna to the Son of David, I is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Hosanna to the Son of David, I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tudor Anthems - From the Oxford Book of Tudor Anthems". In this album, this song's track order is #10. Hosanna to the Son of David, I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hosanna to the Son of David, I by Orlando Gibbons, Choir of Clare College, Cambridge, Timothy Brown having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasie VI | Jordi Savall, Orlando Gibbons | A♭ Minor | 1 | 1A | 110 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM |
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