"Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis" by Carl Orff, Brian Rayner Cook/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Brian Rayner Cook, Halle Choir, Maurice Handford, Hallé was released on March 4, 2002. With Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis by Carl Orff, Brian Rayner Cook/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Brian Rayner Cook, Halle Choir, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marche funèbre d'une marionnette | Charles Gounod, Eugene Ormandy | D Major | 0 | 10B | 135 BPM | ||
Les filles de Cadix | Léo Delibes, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | F♯ Minor | 2 | 11A | 140 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
String Quintet in C Major G. 324, Op. 30, No.6, "La musica notturna delle strade di Madrid": String Quintet in C major G.324, Op.30 No.6, "La musica notturna delle strade di Madrid": IV. Il rosario: Largo assai - Allegro | Luigi Boccherini, Cuarteto Casals, Eckart Runge | G Major | 0 | 9B | 82 BPM | ||
Toccata and Fugue in D minor, BWV 565: Toccata | Johann Sebastian Bach, Carlo Curley | D Major | 1 | 10B | 89 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM |
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