Anonymous, Francesco Maria Veracini, Takako Nishizaki, Terence Dennis made "Violin Sonata in D Minor, Op. 2, No. 7: Gigue (arr. for violin and piano)" available on May 25, 2010. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Takako Nishizaki Plays Suzuki Evergreens, Vol. 4". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Violin Sonata in D Minor, Op. 2, No. 7: Gigue (arr. for violin and piano)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Violin Sonata in D Minor, Op. 2, No. 7: Gigue (arr. for violin and piano) by Anonymous, Francesco Maria Veracini, Takako Nishizaki, Terence Dennis having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Variations on "God Save The King" for Solo Violin, Op. 9 | Niccolò Paganini, Roman Kim | G Major | 2 | 9B | 99 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | F Major | 1 | 7B | 123 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Violin Sonata No. 6 in F Major, Op. 1, No. 12, HWV 370: I. Adagio | George Frideric Handel, Takako Nishizaki, Terence Dennis | F Major | 1 | 7B | 137 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Waltz in E-Flat Major, Op. 18 "Grande valse brillante" | Frédéric Chopin, Vittorio Forte | A♭ Major | 1 | 4B | 131 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | F Minor | 1 | 4A | 164 BPM |
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