- BPM
- 124
- Key
- A♭ Major
- Camelot
- 4B
Keyboard Concerto in F Minor, BWV 1056: II. Largo - Johann Sebastian Bach, Andrea Padova, Mainz Chamber Orchestra Information
- Acousticness
- 98%
- Danceability
- 57%
- Energy
- 2%
- Instrumentalness
- 94%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 44%
- Popularity
- 21%
- Loudness
- -26.944 dB
Summary
Johann Sebastian Bach, Andrea Padova, Mainz Chamber Orchestra made "Keyboard Concerto in F Minor, BWV 1056: II. Largo" available on March 14, 2000. The duration of Keyboard Concerto in F Minor, BWV 1056: II. Largo is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Keyboard Concerto in F Minor, BWV 1056: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Bach: Keyboard Concertos Nos. 2, 5, 7 & 8 by Johann Sebastian Bach, Mainz Chamber Orchestra, Andrea Padova. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Keyboard Concerto in F Minor, BWV 1056: II. Largo's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Keyboard Concerto in F Minor, BWV 1056: II. Largo BPM
The tempo marking of Keyboard Concerto in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Andrea Padova, Mainz Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Keyboard Concerto in F Minor, BWV 1056: II. Largo Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | |
 | La traviata / Act 1: Prelude | Giuseppe Verdi, National Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 119 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Joplin: The Entertainer | Scott Joplin, Gautier Capuçon, Jerome Ducros | C Major | 1 | 8B | 177 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | |
 | Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
- ISRC
- FR6V80008559
- Label
- L-M Records/RCA Records
Section: 0.6876022815704346
End: 0.692439079284668