On November 2, 1987, the song "Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto)" was released by Mauro Giuliani, Mario Gangi, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner. Since Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mauro Giuliani, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner's "Giuliani: Guitar Concertos Nos. 1 & 3" album is number 3 out of 6. In terms of popularity, Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto) by Mauro Giuliani, Mario Gangi, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Handel: Agrippina, HWV 6: Overture | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 118 BPM | ||
Guitar Concerto No. 3 in F Major, Op. 70: 1. Allegro moderato | Mauro Giuliani, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 86 BPM | ||
Berlioz: La damnation de Faust, Op. 24, H 111: Danse des sylphes | Hector Berlioz, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 0 | 10B | 133 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata II. "Hodie mecum eris in paradiso" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 2 | 12B | 119 BPM | ||
Carmen: Fantaisie brillante | Georges Bizet, Charlie Siem, Paul Goodwin | D Major | 1 | 10B | 103 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, François Leleux | F Major | 2 | 7B | 102 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM |
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