"Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace" by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal was released on January 1, 1999. Since Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Chopin: Piano Concertos Nos. 1 & 2 by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Piano Sonata No. 21 In B Flat Major, D.960: IV. Allegro ma non troppo | Franz Schubert, Krystian Zimerman | B♭ Major | 1 | 6B | 73 BPM | ||
Concerto in D Minor for Violin, Piano and Strings. MWV D4: III. Allegro molto | Felix Mendelssohn, Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra | D Minor | 2 | 7A | 88 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Sonatine, M.40 - for Piano: 1. Modéré | Maurice Ravel, Martha Argerich | B Minor | 0 | 10A | 75 BPM |
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