Modest Mussorgsky, Olga Borodina, Mariinsky Orchestra, Valery Gergiev's 'Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 1: Enough!' came out on January 1, 1998. The duration of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 1: Enough! is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 1: Enough!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Vladimir Vaneev, Vladimir Galusin, Nikolai Ohotnikov, Konstantin Pluzhnikov, Olga Borodina, Evgeny Nikitin, Mariinsky Orchestra, Valery Gergiev's "Mussorgsky: Boris Godunov" album is number 15 out of 63. On top of that, Netherlands appears to be the country where this track was created. The popularity of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 1: Enough! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 1: Enough! by Modest Mussorgsky, Olga Borodina, Mariinsky Orchestra, Valery Gergiev to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Scherzo in B-Flat Major - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | D Major | 0 | 10B | 104 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |
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