- BPM
- 125
- Key
- F Major
- Camelot
- 7B
Intro - Natalie Choquette Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 3%
- Instrumentalness
- 96%
- Liveness
- 15%
- Loudness
- 57%
- Speechiness
- 7%
- Valence
- 20%
- Popularity
- 1%
- Loudness
- -25.804 dB
Summary
Natalie Choquette's 'Intro' came out on November 2, 2004. With Intro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 21 in Aeterna by Natalie Choquette. Based on our statistics, Intro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Intro BPM
The tempo marking of Intro by Natalie Choquette is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Intro Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | |
 | Faust, CG 4: Faust - Romance | Charles Gounod, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 0 | 11B | 105 BPM | |
 | Pater noster | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | |
 | Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | |
 | Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | |
 | Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | |
 | Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Ann Murray, Edita Gruberova, Staatskapelle Dresden, Sir Colin Davis | D Major | 0 | 10B | 171 BPM | |
 | Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Alain Lombard, Frederica von Stade, Jules Bastin, Kiri Te Kanawa, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 181 BPM | |
 | Bruckner: Locus iste | Anton Bruckner, The Sixteen, Harry Christophers | C Major | 1 | 8B | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6584832668304443
End: 0.6651484966278076