"Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn"" by Engelbert Humperdinck, Ann Murray, Edita Gruberova, Staatskapelle Dresden, Sir Colin Davis was released on January 1, 1993. The duration of Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn" is about 3 minutes long, at 3:23. Based on our data, "Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Engelbert Humperdinck, Edita Gruberova's "Humperdinck: Hänsel und Gretel (Highlights) [International Version]" album is number 7 out of 16. On top of that, Netherlands appears to be the country where this track was created. The popularity of Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn" by Engelbert Humperdinck, Ann Murray, Edita Gruberova, Staatskapelle Dresden, Sir Colin Davis to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Act 3: "The scent is delicious" - Hansel / Gretel | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | E Major | 2 | 12B | 119 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Act 1: Scene Two: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | B♭ Major | 1 | 6B | 67 BPM |
Section: 0.7152824401855469
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