Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten - Arleen Auger Information

Acousticness: 99%
Danceability: 24%
Energy: 5%
Instrumentalness: 27%
Liveness: 11%
Loudness: 53%
Speechiness: 5%
Valence: 6%
Popularity: 0%
Loudness: -28.034 dB

Summary

"Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten" by Arleen Auger was released on January 1, 2000. Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 8 out of 38 in Auger, Arleen: Arias by Arleen Auger. Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten BPM

The tempo marking of Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Weichet nur, betrubte Schatten Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in A Major, J-C 62: I. Presto	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	A♭ Major	3	4B	119 BPM
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato	Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra	B♭ Major	1	6B	182 BPM
Giulio Cesare / Act 2: "V'adoro, pupille"	George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket	E Major	1	12B	72 BPM
Requiem: I. Requiem	Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens	C Minor	0	5A	69 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B)	Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann	A♭ Major	2	4B	166 BPM
Belshazzar / Act 3: "I will magnify thee"	George Frideric Handel, Arleen Auger, James Bowman, The English Concert, Trevor Pinnock, The English Concert Choir	A♭ Major	2	4B	87 BPM
Suite From Abdelzar: III. Minuet	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	F♯ Major	2	2B	87 BPM
Te Deum, WAB 45: 1. Te Deum laudamus	Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll	C Minor	2	5A	126 BPM
Dixit Dominus, HWV 232: 8. De torrente in via bibet	George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston	D Major	4	10B	77 BPM
Symphony in D Major, Op. 3, No. 2: II. Andantino	Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong	G Major	0	9B	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7153892517089844

End: 0.7199306488037109