- BPM
- 103
- Key
- B Minor
- Camelot
- 10A
Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) - Johann Sebastian Bach, Markus Schäfer, Kolner Kammerorchester, Helmut Muller-Bruhl Information
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 44%
- Popularity
- 6%
- Loudness
- -16.183 dB
Summary
Johann Sebastian Bach, Markus Schäfer, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor)" available on November 1, 2005. The duration of Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) is about 3 minutes long, at 3:05. Based on our data, "Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 6 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) BPM
We consider the tempo marking of Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) by Johann Sebastian Bach, Markus Schäfer, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Matthäuspassion, BWV 244: Aria: Geduld, Geduld! (Tenor) Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | |
 | Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | |
 | Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | |
 | Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | |
 | Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | |
 | Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | |
 | Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
- ISRC
- HKI190584506
- Label
- L-M Records/RCA Records
Section: 0.770477294921875
End: 0.7753715515136719