"Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto" by Franz Schubert, Soovin Kim, David Soyer, Mitsuko Uchida was released on August 2, 2011. Since Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mitsuko Uchida's "Live from the Marlboro Music Festival - Mozart, Beethoven, Schubert" album is number 9 out of 9. In terms of popularity, Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto by Franz Schubert, Soovin Kim, David Soyer, Mitsuko Uchida to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Trio No. 7 in B-Flat Major, Op. 97, "Archduke": II. Scherzo: Allegro | Ludwig van Beethoven, Soovin Kim, David Soyer, Mitsuko Uchida | B♭ Major | 1 | 6B | 101 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM |
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