"Tabulaturen Etlicher Lobgesang Und Lidlein, 1512: All Ding Mit Radt" by Arnolt Schlick, Joachim Held was released on May 28, 2021. The duration of Tabulaturen Etlicher Lobgesang Und Lidlein, 1512: All Ding Mit Radt is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Tabulaturen Etlicher Lobgesang Und Lidlein, 1512: All Ding Mit Radt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. The popularity of Tabulaturen Etlicher Lobgesang Und Lidlein, 1512: All Ding Mit Radt is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tabulaturen Etlicher Lobgesang Und Lidlein, 1512: All Ding Mit Radt by Arnolt Schlick, Joachim Held having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Tabulaturen etlicher lobgesang und lidlein uff die orgeln un lauten: Maria zart (Gentle Mary) | Arnolt Schlick, Kimberly Marshall | F Major | 0 | 7B | 95 BPM | ||
Salve Regina: V. O dulcis Maria | Arnolt Schlick, Bernard Foccroulle | A♭ Major | 0 | 4B | 73 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
In Nomine No. 1 a 5 | Orlando Gibbons, Berkeley Festival Consort of Viols, The | D Minor | 0 | 7A | 100 BPM | ||
Ascendo ad patrem meum | Arnolt Schlick, Agnes Luchterhandt, Thiemo Janssen | F♯ Major | 2 | 2B | 73 BPM | ||
Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM |
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