Emanuele d'Astorga, Thomas Hengelbrock's 'Stabat mater in C Major: Eja mater' came out on August 16, 1996. The duration of Stabat mater in C Major: Eja mater is about 3 minutes long, at 3:07. Based on our data, "Stabat mater in C Major: Eja mater" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. In terms of popularity, Stabat mater in C Major: Eja mater is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat mater in C Major: Eja mater by Emanuele d'Astorga, Thomas Hengelbrock is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Vieni Imeneo" | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Minor | 0 | 8A | 95 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Bach, JS: Mass in G Minor, BWV 235: Cum Sancto Spiritu | Johann Sebastian Bach, Philippe Herreweghe/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent, Collegium Vocale Gent, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | F♯ Minor | 3 | 11A | 100 BPM | ||
Concerto, D-Major, For Strings And Organ, RV 124: I. Allegro | Musici di San Marco, Alberto Lizzio | D♭ Major | 2 | 3B | 128 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Jeremy Budd, Mark Dobell, Eamonn Dougan, Harry Christophers, The Sixteen | F Major | 1 | 7B | 81 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM |
Section: 0.5707569122314453
End: 0.575221061706543