"Flute Concerto No. 2 in D Major: III. Grave" by Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger was released on January 1, 2010. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Volume 1 : Concertos Et Récitals 1961-1965 by Jean-Pierre Rampal. The song's track number on the album is #13 out of 148 tracks. Flute Concerto No. 2 in D Major: III. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Flute Concerto No. 2 in D Major: III. Grave by Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Flute Concerto No. 2 in D Major: III. Grave being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: "Che faro senza Euridice ?" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | F♯ Major | 1 | 2B | 112 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Stabat Mater: Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Major | 2 | 6B | 124 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
Section: 0.6287169456481934
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