"Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité"" by Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado was released on November 4, 2016. Since Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Revive". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" by Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Lucrezia Borgia / Act II: "Il segreto per esser felici" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero | C Major | 1 | 8B | 110 BPM | ||
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Trio for two flutes and harp, played by the young Ishmaelites | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | E Minor | 0 | 9A | 136 BPM | ||
La battaglia di Legnano: Preghiera, 'Deus meus, pone illos ut rotam' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
La forza del destino / Act 3: "Rataplan, rataplan, rataplan" | Giuseppe Verdi, Elina Garanca, Cor de la Generalitat Valenciana, Orquestra de la Comunitat Valenciana, Roberto Abbado | G Major | 2 | 9B | 136 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM | ||
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina) | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | E♭ Major | 2 | 5B | 125 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM |
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