Henry Purcell, English Chamber Orchestra, Raymond Leppard's 'Dido and Aeneas / Act 2: Prelude for the witches' came out on January 1, 1986. With Dido and Aeneas / Act 2: Prelude for the witches being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #6. In terms of popularity, Dido and Aeneas / Act 2: Prelude for the witches is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: Prelude for the witches by Henry Purcell, English Chamber Orchestra, Raymond Leppard having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Trumpet, 2 Oboes, Strings and Continuo in D Major: II. Largo | Johann Friedrich Fasch, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra | D Major | 1 | 10B | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
If ever I more riches did desire, Z. 544 | Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 68 BPM | ||
Las Cuatro Estaciones Porteñas: III. Primavera Porteño - Arr. for Cello & Chamber Orchestra by Trey Lee | Astor Piazzolla, Trey Lee, English Chamber Orchestra | G Minor | 2 | 6A | 99 BPM | ||
Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) | Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | E Minor | 1 | 9A | 99 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 4. Menuetto: Trio I | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 1 | 7B | 69 BPM | ||
Sir Anthony Love, or The Rambling Lady, Z. 588: II. Pursuing Beauty, Men Descry | Henry Purcell, Johane Ansell, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 137 BPM | ||
Vivaldi: Violin Concerto in G Minor, RV 315 "L'estate" (No. 2 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 0 | 6A | 92 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Salomon, HWV 67: Arrival of the Queen of Sheba: Sinfonia | English Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 2 | 6B | 122 BPM |
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