"Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra)" by Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins was released on January 1, 2011. The duration of Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) is about 3 minutes long, at 3:02. Based on our data, "Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Miloš Karadaglić's "Mediterráneo" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) by Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 87 BPM | ||
Un dia de noviembre | Leo Brouwer, Miloš Karadaglić | A Minor | 0 | 8A | 87 BPM | ||
The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
Farewell | Dario Marianelli, Jean-Yves Thibaudet | B♭ Minor | 1 | 3A | 138 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Gnossienne No. 5 | Lavinia Meijer | E Minor | 0 | 9A | 62 BPM | ||
Epitaphs: 3. A Day In May | Mikis Theodorakis, Miloš Karadaglić | D Minor | 0 | 7A | 95 BPM | ||
Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM |
Section: 0.692162275314331
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