Silvius Leopold Weiss, Lutz Kirchhof made "Suite in D Minor: XII. Polonaise" available on 1992. With Suite in D Minor: XII. Polonaise being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #21 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in D Minor: XII. Polonaise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Suite in D Minor: XII. Polonaise by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in D Minor: XII. Polonaise being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ezio: Aria. Vi fida lo sposo (Arr. For lute) | Johann Adolf Hasse, Axel Wolf | A♭ Minor | 0 | 1A | 114 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Lute Sonata in B-flat Major, WeissSW 4: IV. Bourrée | Silvius Leopold Weiss, Mauricio Buraglia | A Major | 1 | 11B | 74 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
36 Caprices, Op. 20: I. Andante | Luigi Legnani, Pavel Steidl | C Major | 0 | 8B | 124 BPM | ||
Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
5e livre de viole: Dialogue (Légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | B Minor | 2 | 10A | 181 BPM | ||
Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
4 Variations on "Guárdame las vacas" | Luis de Narváez, Göran Söllscher | C Minor | 2 | 5A | 98 BPM |
Section: 0.5559079647064209
End: 0.5608346462249756