Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] - Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate Information

Acousticness: 98%
Danceability: 12%
Energy: 11%
Instrumentalness: 50%
Liveness: 8%
Loudness: 66%
Speechiness: 5%
Valence: 4%
Popularity: 25%
Loudness: -20.207 dB

Summary

"Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt]" by Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 2003. Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Renée Fleming: By Request". In this album, this song's track order is #16. Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] BPM

With Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] by Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) [Die tote Stadt] Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Quartet in E flat, Op.47: 3. Andante cantabile	Robert Schumann, Beaux Arts Trio, Samuel Rhodes	B♭ Major	0	6B	67 BPM
Die tote Stadt: Act II: Schäume, schäume	Erich Wolfgang Korngold, Erich Leinsdorf, Hermann Prey, Gabriele Fuchs, Patricia Clark, Willi Brokmeier	D♭ Major	3	3B	84 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	G Minor	0	6A	85 BPM
Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso. Durchaus ppp	Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger	A Minor	0	8A	174 BPM
Suite pastorale: IV. Scherzo-Valse	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	161 BPM
Jungle March And Battle	Erich Wolfgang Korngold	D Major	2	10B	77 BPM
Walt Whitman, Op. 7	Gustav Holst, Ulster Orchestra, Joann Falletta	A Major	1	11B	126 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 2: Frank! Freund! (Paul, Frank)	Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle	E♭ Major	1	5B	80 BPM
The Adventures of Robin Hood: Flirt - Feast - Poor People's Feast - Gold	Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg	B♭ Major	1	6B	99 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	84 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6594588756561279

End: 0.6631600856781006