Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" - Richard Strauss, Erich Leinsdorf, Montserrat Caballé, Sherrill Milnes Information

Acousticness: 83%
Danceability: 35%
Energy: 20%
Instrumentalness: 0%
Liveness: 59%
Loudness: 66%
Speechiness: 10%
Valence: 10%
Popularity: 0%
Loudness: -20.587 dB

Summary

"Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter"" by Richard Strauss, Erich Leinsdorf, Montserrat Caballé, Sherrill Milnes was released on 1965. With Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Essential Montserrat Caballé [International Version]". In this album, this song's track order is #10. In terms of popularity, Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" BPM

With Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" by Richard Strauss, Erich Leinsdorf, Montserrat Caballé, Sherrill Milnes having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

Salome: Ah! du wolltest mich nicht deinen Mund: "Sie ist ein Ungeheuer, deine Tochter" Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto	Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm	F Major	1	7B	120 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture	Richard Strauss, Rudolf Kempe, Staatskapelle Dresden	F Major	2	7B	82 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)	Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky	C Minor	0	5A	82 BPM
Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7331986427307129

End: 0.7385141849517822