Ernst Gottlieb Baron, Alberto Crugnola's 'Lute Sonata in E-Flat Major: III. Bouree' came out on March 6, 2012. The duration of Lute Sonata in E-Flat Major: III. Bouree is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Lute Sonata in E-Flat Major: III. Bouree's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 4 out of 95. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Lute Sonata in E-Flat Major: III. Bouree's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lute Sonata in E-Flat Major: III. Bouree by Ernst Gottlieb Baron, Alberto Crugnola to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata in E-Flat Major, Op. 1, No. 2: I. Largo | Adam Falckenhagen, Andrew Maginley | G Major | 0 | 9B | 137 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Sixiéme Suitte: IV. Rigaudon | Pierre Danican Philidor, Hans Olav Gorset, Rolf Lislevand, Paolo Pandolfo | D♭ Major | 1 | 3B | 138 BPM | ||
Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
[Suite en la majeur]: X. Fantaisie (No. 27) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 3 | 4B | 73 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): IV. Giga: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 2 | 1B | 126 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: II. Air | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM |
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